Stenberga kyrka

The church was originally built without a tower, with its main entrance on the south side and an open roof structure inside. During the medieval period the walls were decorated with figure paintings and an altar cabinet was acquired, some traces of which survive today. A freestanding bell frame once stood southwest of the church, but in 1760 it was struck by lightning and burned. The surviving bell was recast in 1763, while the present stone tower at the west end was built in 1762 to replace the lost structure; it is topped with an octagonal lantern and a helm roof.

The building has been altered more than once: a restoration in 1822–1825 gave the interior a neoclassical character, including a new altarpiece painted in 1823 by professor Johan Gustaf Sandberg depicting the descent from the cross, along with the current altar rail and pulpit. A later restoration in 1954–1955 aimed to recover something closer to the church's earlier appearance. The large round-arched windows seen today date from further changes made in 1878.

Inside, the timber walls remain exposed and whitewashed, and a painted palmette frieze runs along the flat ceiling, thought to date from the same period as the surviving blue drapery motifs of 1778 around the gallery windows. Traces of medieval figure painting have also been uncovered near the west gallery. A medieval crucifix, believed to date from the 1300s, hangs in the chancel arch.

Among the church's notable furnishings is a Dutch altar cabinet from the late 1400s, its centre panel depicting Saint Anne and Joachim, though nine of the original twelve apostle figures have since been lost and replaced. Two painted panels showing Saint Erik and Saint Erasmus also survive in the chancel, and beneath the chancel floor lie burial vaults associated with the Rääf and Croneborg families of the Salshult and Hasslås estates. The enclosed box pews, externally in a renaissance style dating from at least the 1600s, are inscribed with estate names and carry the coats of arms of local families, reflecting the historic seating divisions between men and women, and between gentry and servants.

The church also contains a wooden font from the 1600s and a later crucifix from that century on the south wall, near memorial armorial panels for two members of the Rääf and Croneborg families. The organ has been rebuilt several times; the present instrument, completed in 1988, reconstructs the appearance and disposition of an earlier 1825 organ using surviving fragments and drawings.