The stone church was built in Romanesque style around the year 1200, with a nave, a narrower and lower chancel, and a small semicircular apse to the east. A sturdy tower stands at the west end, originally raised at the same time as the rest of the church. During the 15th century the upper part of this first tower was demolished and the interior ceiling was given vaulting; a new tower was built shortly afterwards.
The church's appearance changed considerably in 1861, when the southern porch was removed and the tower was rebuilt with the stepped gables it still has today. At the same time, the bells were moved into the tower and a separate timber bell-house nearby was demolished. Further restoration followed in 1925.
During restoration work in the mid-1960s, wall paintings hidden beneath layers of limewash were rediscovered, though many had already been damaged when the windows were enlarged at an earlier date. Today only one painting remains visible: a consecration cross on the north side of the chancel arch.
Among the church's furnishings, the triumphal crucifix dates from 1475. The altarpiece was probably made in the 1630s and bears the monogram of King Christian IV at its top; a cross was added in 1761, the work of the well-known regional sculptor Johan Ullberg of Finja.
Two bells hang in the tower. The smaller was cast in 1496 by Knut Grudnick, making it a notably old survival, while the larger was cast in 1912 by the Bergholtz foundry in Stockholm. The church also has a mechanical organ built in 1968, replacing an earlier instrument from 1883.
The former mortuary chapel now serves as a modest museum, notable for its collection of unusual mourning wreaths, offering visitors a glimpse of local commemorative customs.