The church was designed by the architect Fredrik Falkenberg, who died the year before its consecration and so never saw the completed building. It is constructed of brown limestone with a tiled roof over the nave and tower cap. The plan follows a traditional layout, with a nave, a narrower chancel to the east and a tower to the west, the entrance and porch being set into the base of the tower. The tower's distinctive form is said to echo the old detached wooden bell towers found at many Swedish rural churches, while other details draw loosely on Romanesque and Gothic influences.
Inside, the church is decorated in light, cheerful colours intended to give services a joyful, celebratory character. A second sacristy was added on the north side during restoration work in the early 1970s, alongside a new altar of stone and painted rendered masonry, topped with an illuminated crystal cross.
The altarpiece, painted in 1925 by Gunnar Torhamn, depicts Christ's meeting with the disciples on the road to Emmaus. Near the font stands a wooden sculpture by Eva Spångberg showing Christ with children; sources differ slightly on its date, with one account linking it to the 1970s restoration and another dating a related angel sculpture by the same artist to 1989. A small octagonal font of Kolmården marble dates from 1925, and a chandelier said to have been made in Poland in the seventeenth century hangs in the church, along with a font and lock recorded as gifts from parishioners.
The present organ, with 17 stops across two manuals, was built in 1974 by Smedmans Orgelbyggeri of Lidköping, replacing an earlier instrument installed in 1928. The church seats around 150 people.