Farstorps kyrka

The original church, built of hewn fieldstone, had a broad west tower and entrances on the north and south sides. The tower opens into the nave through two round arches, and its ground floor is covered by cross vaults, while the nave itself has a timber ceiling; the chancel received its own cross vault during the fifteenth century. A porch was added to the south side of the nave later in the medieval period. In 1828 the church was substantially altered: the south porch and doorway were removed, a new main entrance was built in the west, and the nave was extended northwards, considerably enlarging the building, which now seats around 180 people.

The chancel, apse and chancel arch carry rich wall paintings dating from the later fifteenth century, attributed to the unidentified Everlöv Master. They were whitewashed over for a long period before being uncovered again in the early 1940s. The apse shows Christ in Majesty, seated on a rainbow with his hand raised in blessing and surrounded by the symbols of the four evangelists. The chancel vault depicts scenes from Christ's childhood, including the Nativity beneath the Star of Bethlehem, alongside an Old Testament scene of Moses striking water from the rock.

On the north chancel arch is a painted figure of a clothed, crucified Christ, sometimes interpreted instead as Saint Wilgefortis, a legendary bearded female saint venerated in the Middle Ages, particularly by women seeking release from oppressive marriages; here the figure lacks a halo and instead wears a royal crown. Nearby, the chancel arch also shows Saint Olaf with his axe, Saint Eric with a lily-shaped sceptre, and, in the north-west arch, a figure thought to be Saint Catherine with her wheel.//The organ gallery front is painted with portraits of the twelve apostles.