The church consists of a rectangular nave with a straight-ended chancel, and a timber sacristy added on the north side, thought to date from 1787. Alterations in 1827 changed the building's appearance considerably: the south doorway was bricked up and the old porch demolished, a new entrance and porch were created on the west side, and the flat wooden ceiling was replaced with a timber barrel vault. Fragments of the earlier ceiling survive, reused as panelling within the sacristy.
A 1997 renovation uncovered wall paintings beneath later layers of limewash, dating from the 17th and 18th centuries. The earlier scheme is thought to be the work of Johan Cula, while drapery paintings from 1708 are attributed to Otto Henric Brachwagen. These have since been conserved and are one of the more visually striking features for visitors today.
The freestanding bell tower was built in 1695 by a craftsman known as David from Tofteryd. It was originally an open timber structure but was clad with boards in 1916. It houses a medieval bell, and a further medieval bell hangs in the porch, giving the church three bells in total.
Among the furnishings, the font is medieval, formed from two blocks of stone with a granite base and a sandstone bowl. The pulpit dates from the 1600s and is carved in the German Renaissance style with figures of the apostles holding open and closed books. A small image of the Madonna is said to date from the 13th century. The current pews, altarpiece and altar rail were introduced during a renovation in 1924.
The church has had several organs over the years, the earliest documented example installed in 1864 by Carl Elfström of Ljungby, later replaced in 1924 by an Austrian-built instrument, and again in 1981 by a mechanical organ from J. Künkels Orgelverkstad.