The earliest stone church here dates from the second half of the 1100s, built of limestone with a rectangular nave, an apsed chancel and, unusually, a tower positioned above the chancel rather than at the west end—a feature shared with only a couple of other churches in the region. Around 1200 the apse was removed and the chancel rebuilt in a Cistercian style, likely under masons from nearby Alvastra monastery. Further enlargements followed in the 1400s, when the nave was widened and the chancel extended.
The church suffered structural problems over time, prompting repairs in the 1660s funded by Per Brahe the Younger and his wife, and more extensive rebuilding in 1781, when the tower was reconstructed at the east end and the church extended westward. The most striking transformation came in 1889, when architect Ferdinand Boberg reversed the orientation of the interior, placing the chancel in a new semicircular extension to the west and turning the old chancel into a porch. Barely seventy years later, a restoration guided by Professor Erik Lundberg moved the chancel back to its original eastern position, a rare instance of a church's layout being reversed and then reversed again.
Inside, the high altar features an altarpiece by sculptor Olof Wiström from 1703, depicting the Crucifixion flanked by figures of John and Mary. A separate, older altarpiece painted in 1857 by Gustaf Adolf Engman now hangs on the north wall of the nave; it was donated by churchwarden Johan Pettersson and his wife Johanna, locally remembered as a noted tradeswoman. Damaged medieval limewash paintings survive on the triumphal arch wall, uncovered during the twentieth-century restoration, including a Pietà scene.
Other furnishings include a pulpit from 1796, a modern font designed in 1942 by Ove Leijonhufvud, and a Crucifixion sculpture from 1990 by Margareta Engström set within the triumphal arch. A runestone, bearing a brief memorial inscription, is built into the church's north exterior wall—one of relatively few such stones incorporated directly into a church structure. The building has had several organs over the centuries, and both a larger gallery organ and a smaller chancel organ are in use today.
The churchyard retains some older layout features, including gravestones with stone frames and a number of obelisk memorials.