The church stands near an old ridge road along a terminal moraine, close to Tormansbol, a burial field thought to have served as an ancient cult and burial site. The medieval stone church itself was built during the 1200s, and substantial parts of the original grey stone walls survive in the nave. Over time the building was reshaped: the chancel was extended eastward in the early 1700s, a porch was added in the mid-1700s, and a further westward extension took place in 1862, bringing new fittings with it. The church has no tower of its own.
Instead, just outside the churchyard wall near the west end, stands the free-standing slate-clad bell tower, which took its present form and position in 1882 — a striking and unusual sight in the surrounding countryside.
Inside, the rectangular nave leads to a three-sided raised chancel in the east, with an organ gallery to the west. Much of the current colour scheme dates from a 1947 renovation, but the flat wooden ceiling still carries paintings from 1804 by the local painter Erik Erikström, including landscape medallions, decorative motifs, and a Last Judgement scene above the west gallery. There is no separate altarpiece; instead, a painted chancel window serves as the visual focus of the altar.
The altar, altar rail and pulpit, with their Gothic-influenced detailing, were installed in 1862. The church's oldest furnishing by far is its font, carved from reddish-grey sandstone in the 1200s and thought to have been brought across Lake Vänern from Västergötland. A wrought-iron candle arch from 1851 spans the centre aisle, an unusual feature among Swedish parish churches.
The churchyard contains the grave of Johannes Olsson, known locally as "Bråna-Smen" (1818–1886), a blacksmith and farmer from the nearby Bråna farm who became known across Dalsland for sharply observed poems commenting on his neighbours and the events of his day.