The nave and chancel apse show Romanesque characteristics suggesting construction in the early 1200s, with the tower added around the mid-thirteenth century. Although the stepped gables might suggest the Danish period (1361–1645), they were in fact only added in 1856, designed by the architect Fredrik Wilhelm Scholander, replacing an earlier pointed spire. Further changes followed in the 1860s, when a medieval south door in the chancel was removed and replaced with a large window; a sacristy was added in 1884.
Inside, the church retains a flat wooden ceiling and much furnishing dating from the seventeenth century, including the pews and organ gallery, the latter painted by Abraham Beck. The pulpit was decorated in 1672 at the expense of a local judge, Lundsberg, who also donated the richly carved sandstone font of 1681. An earlier medieval font, dated to around 1240, was rediscovered in the churchyard in the 1850s after apparently being used as a garden flowerpot; it is now kept at Gotlands fornsal museum in Visby.
The altarpiece, depicting the Crucifixion, was painted by Johan Bartsch in 1662. A further painting of the Resurrection, by Fredric Westin (1853), is traditionally said to have been a gift from Princess Eugenie, though this attribution rests on local tradition rather than documented certainty.
Among the church's silverware is a chalice made by Bernt Falkegren of Visby in 1773, alongside a pewter wine jug of 1856. The organ case dates from 1870, built by Åkerman & Lund and reportedly also a gift from Princess Eugenie, whose monogram decorates the façade; the mechanism itself was rebuilt in 1980 by J. Künkels Orgelverkstad within the older case.