The church complex was designed by architect Harald Thafvelin and is considered one of Sweden's earliest postmodern buildings, its colourful and imaginative design provoking considerable debate at the time. The site is arranged in an east-west orientation and comprises three elements: the church itself, a six-storey parish building with a plain red-brick façade, and a freestanding wooden bell tower positioned between them. Since 1990 the building has been protected under Swedish heritage legislation.
While the parish building presents a tall, austere face of red brick towards the road, the church itself is low, with varied white-brick façades and steep, deeply overhanging roofs. Every twelfth course of brickwork is laid in a patterned bond using transverse bricks, creating a subtle shadow effect across the walls. The entrance on the south side is sheltered by a canopy of rough concrete.
Inside, natural materials dominate: limestone flooring, concrete and brick walls, and timber-panelled ceilings divided into pyramid-shaped sections. Thick pillars in the nave echo simplified Greek columns with capitals, reflecting Thafvelin's interest in Greek design when planning the building.
The layout is unconventional, with the church oriented north-south and the altar positioned in the northern part of the room, allowing the congregation to gather around it during communion, as though at a shared table. According to the Wikipedia source, Bishop Ingmar Ström insisted the altar face east for the 1975 consecration ceremony, though it has otherwise stood facing north.
Notable furnishings include textiles by Christina Westman, a crucifix by silversmith Birger Haglund, and a baptismal bowl by silversmith Martin Öhman. The mechanical organ, built in 1978 by Walther Thür Orgelbyggen AB of Torshälla, has thirteen stops.