Surteby kyrka

The church is thought to have been built in the 1200s in Romanesque style, with a narrower chancel than the nave. Its current form dates mainly from a major rebuilding in 1781–1784, when the medieval chancel was demolished and the building extended eastward and widened to the north. Only the south wall survives from the earlier structure. The tower, with its small open lantern, was added in 1824–1826 by builders from the Sandhult tradition, giving the church its neoclassical exterior of white-rendered stone.

The interior has been reworked more than once. A restoration in 1897–1898 under Adrian Crispin Peterson introduced a new sacristy, altar rail, and doors, along with a glass partition between the porch and the nave; older choir pews and an altarpiece were removed at this time. A further renovation in 1926 stripped away the oil paint applied around the turn of the century in favour of limewash, revealed and conserved painted decoration on the pulpit, and saw the installation of electric light and central heating.

A notable feature is the painted ceiling, added in 1794 and decorated by Jacob Magnus Hultgren, who also created an altarpiece now displayed in the tower room. The walls were later decorated by Martin Wallström during the 1898 restoration, who also adapted Hultgren's ceiling paintings to the taste of his time. Conservation work on the ceiling paintings and two number boards took place again in 1959.

Among the furnishings, the pulpit dates from the 1630s and was reworked around 1700, probably by Marcus Jäger the Younger; its original images of the evangelists, once painted over, were uncovered again in 1926. Other notable objects include a censer from the 1200s and a crucifix from the 1400s that has lost its arms and cross.

The church has historically been associated with three medieval stone font bowls, reflecting the site's long history. One remains in the chancel, carved from soapstone in the late 1200s and linked stylistically to the font at Starrkärr. Another, probably originating from the now-ruined Kattunga church, has been returned to the Kattunga chapel built in 1962; it is attributed to the workshop of the stonemason known as Andreas. A third, plainer font bowl in reddish sandstone stands in the porch and is attributed to the so-called Siena school, dated to around 1200.

The present organ retains its 1865 case and a few pipes in the pedal division, but is otherwise a new instrument built by Tostareds Kyrkorgelfabrik in 1972.