Building a larger church took decades to arrange, as the parish was small and funds had to be gathered gradually. Provost Olof Berg is credited with initiating a careful savings scheme, continued by his successors, which eventually allowed construction to proceed. The design was drawn up by the royal architect Thure Wennberg, and the building work was carried out by county master builder Christian Loëll of Gävle. Construction began in 1802 on a raised site near the main road, some distance from the original church and churchyard, and the new church was consecrated in December 1805.
The original interior included painted decoration in a porphyry-effect style, with an altar composition depicting a sarcophagus, crown of thorns and cross, along with a pulpit decorated with biblical scenes in relief; this work was carried out by the artists Gustaf Adolf Klint and Hansson. Later renovation work in 1951 added fresco paintings by Erik Abrahamson, including depictions of Christ on the cross and Moses with the tablets of the law in the nave, and scenes from four of Christ's parables in the chancel apse. A further renovation in 1987 introduced a new free-standing altar, made by cabinetmaker Kaj Andersson and designed by architect Uno Söderberg.
The church's most notable treasure is the so-called Skog tapestry, a rare medieval textile hanging dating from the 13th century. According to one account, it was rediscovered in 1912 during a survey of the county's churches, having lain forgotten inside a bridal crown box, seemingly untouched for a long period because of its strong smell. The original is now held at the Swedish History Museum in Stockholm, and a copy has been displayed in the church since 2000. Other historic items associated with the church include a medieval incense burner, a medieval parish chest, and a copy of Gustav Vasa's Bible, printed in 1541.
The church has had more than one organ over the years, with instruments built in 1842, 1917–18 and 1947, the last incorporating elements of its predecessor. Visitors interested in church organs may find the instrument's layered history of interest, though the building is generally kept locked because of its location, with access historically arranged by appointment.