The church stands on the site of an earlier Romanesque apse church, whose foundations were uncovered beneath the present floor during excavations in 1933. Its tower, built around the mid-1200s, is the oldest surviving part of the building and retains distinctive defensive features, including narrow loopholes for shooting, a reminder of more turbulent times on the island. The nave and choir were rebuilt around 1300 in Gothic style, with a sacristy added later in 1878.
The limestone building has rendered façades with finely carved corner dressings and window surrounds, and its pointed tracery windows are all original, while the north wall remains entirely blind. Inside, the whitewashed interior is dominated by six tall cross vaults resting on two decorated columns, with pointed arches linking nave, choir and the tower's ringing chamber. The choir is lit by a large three-part east window and a smaller window to the south. Richly carved perspective portals mark the south entrances to nave and choir, though the nave portal is largely a later recreation, while the west tower portal, the oldest in the church, keeps its original ironwork door.
Among the church's furnishings is a sandstone font carved with reliefs, attributed to the stonemason Hegvald around 1200, one of Gotland's notable medieval sculptors. A crucifix from the late medieval period hangs as a triumphal cross. The altarpiece was made in Burgsvik at the end of the seventeenth century and painted in 1703; it replaced an older altarpiece that was moved to nearby Lau church. The pulpit, dated 1687, is thought to be the work of a Visby craftsman and was painted two years later, with its sounding board added in the mid-1700s. Much of the pew furnishing also dates from the seventeenth century.
The church's organ was rebuilt in 1931 by the Stockholm firm Åkerman & Lund, replacing an earlier nineteenth-century instrument. Two stigluckor, small roofed lychgates once used for resting coffins, survive in the churchyard, to the south and east, offering a glimpse of older burial customs on Gotland.
The building underwent restoration in the early 1980s under the direction of the architect Birger Andersson.