The church likely began as a small Romanesque building with a nave and an apsed chancel. In 1822 or 1824 it was substantially enlarged, extended eastward and given the three-sided chancel end typical of the period, with larger windows replacing the earlier narrow openings. The west tower followed in 1844, giving the building its current neoclassical character.
The structure is built of stone, with whitewashed walls, a rectangular nave, three-sided chancel and west tower, plus a sacristy to the north of the chancel. The nave ceiling is a wooden barrel vault, painted in a pale grey-green. Beneath the chancel floor lies a vaulted burial chamber.
Among the fittings, the elaborate pulpit is attributed to the so-called Mjöbäck carvers, a group known for ornate church woodwork in the region, and dates from 1840; it was made by an otherwise unrecorded local craftsman known only as the carpenter of Sträckås. The altarpiece, painted in 1922, was a gift from the Marbäck-born artist Wilhelm Sjölander.
The font is a notable survival: a Romanesque sandstone piece from the twelfth century, made in two joined parts. Sources attribute it to the workshop of the stonemason Andreas, recognisable by the braided ring frieze on the bowl, a feature associated with his documented work elsewhere in the region.
A wooden triumphal crucifix from the fifteenth century has had an eventful history: removed from display in the 1820s, later deposited at a museum in Borås, and only returned to hang in the church around the mid-twentieth century. The church also has a mechanical organ installed in the late 1960s, which retained the outward organ case designed decades earlier, and a medieval bell without inscriptions.