The church was raised in Romanesque style in the 13th century, with the tower, porch and vaulting added towards the end of the medieval period. In 1779 the building was extended with north and south transepts, the tower was raised further, and the medieval porches, vaults and apse were removed; a brick floor was laid at this time.
In the porch, faded medieval wall paintings survive, including a depiction of the Wheel of Fortune, a common motif reflecting on the fleeting nature of life and the vanity of striving for power, showing figures rising, ruling and falling around the wheel. Another painting in the porch depicts the biblical story of Cain and Abel. On the west wall of the nave, faint fragments of paintings relating to the Passion of Christ can also be made out.
The altarpiece, dated to 1870, is a copy of Raphael's Transfiguration, the original of which hangs in the Vatican Museums in Rome. The pulpit, made of painted wood, dates from 1865 and has a hexagonal body resting on an octagonal pillar.
One of the church's most curious objects is the font, carved from alabaster. According to local tradition it was originally intended as a flower urn, but was washed ashore at nearby Rydebäck after the ship carrying it was wrecked in the Öresund strait.
Of the two bells, the smaller may date from the medieval period, while the larger was cast in 1731 by Andreas Wetterholtz in Malmö. The church also contains several memorial plaques commemorating former vicars of Kvistofta parish, and stained glass windows by Ralph Bergholtz dating from 1949. In the churchyard lies Gustaf Håkansson, known locally as Stålfarfar ("Steel Grandfather"), who lived to nearly 102, buried alongside his wife who reportedly lived to nearly 105.