The church was built largely by students from the Centrala Yrkesskolan (a technical training school), with construction partly funded through public collections. It stands on a grassy, tree-lined mound, its form made up of two joined sections, from which the main hall rises with a pent roof that slopes steeply to the west. The exterior is clad in coarse standing timber panelling, giving the building a plain, functional character typical of Swedish church architecture of its period.
Inside, the church is dominated by unpainted, narrow pine panelling on the walls, with dark-stained pine used for the fittings. Large windows on the taller wall provide most of the daylight, giving the interior a notably light and airy feel. The roof structure is supported by so-called Töreboda arches, a construction technique associated with several Swedish churches of the mid-twentieth century. Fixed pews and a table altar set against the end wall complete a simple, coherent interior that has changed little since the church was built.olate.
A short distance northwest of the church stands a slender, freestanding three-legged wooden bell tower carrying two bells, a striking silhouette that has become closely associated with the church's identity.
Among the church's furnishings are two crucifixes: one in ceramic on the chancel wall, made by Agneta Larsen, and another on the east wall, by Bo Lindencrantz. The current organ dates from 2007, replacing an earlier instrument; built by Tostareds Kyrkorgelfabrik, it is notable for its glazed upper section and wall-mounted wooden pipes, an unusual visual feature for visitors interested in church organs.