Bergunda kyrka

The church's precise age and original form are uncertain. Foundation remains uncovered beneath the floor in the late 1930s hint at an earlier Romanesque church with an apse, possibly similar in style to the old church at Dreved, though little else is known of this early building. The tower, added somewhat later than the nave, once contained a shooting gallery near its top, and the building's massive stone walls and small window and door openings reflect its historic role as a place of refuge in troubled times.

Standing beside the main road linking Småland and Skåne, the church occupied a vulnerable spot in wartime; it is recorded as having been plundered by Danish troops in 1611. A freestanding bell tower was demolished in 1732, with the bells then moved into the tower itself. The building's present exterior largely dates from a major restoration in 1825–26, when the chancel and apse were rebuilt and the eastern end took its current form. A south extension was added at this time, funded by the countess of the Bergkvara estate, balancing an earlier north extension thought to have served as a vestry. Until 1921 the church remained under the patronage of Bergkvara, and its history is closely tied to the fortunes of that estate.

Further changes came with a 1904 restoration, which shaped much of the interior seen today, including the barrel vault, altar rail, pews and gallery front, along with new painted windows donated by a member of the Posse family. A restoration in the late 1930s removed decorative stencilled wall paintings added around the turn of the century. Later work, in 1988–89, gave the church its current colour scheme, introduced a new freestanding altar in the chancel, and saw two rows of pews removed from the rear of the church.

Among the church's older furnishings is an altar slab said to date from medieval times and reputed to contain a relic cavity, along with a sandstone font attributed to the late twelfth century and linked to a recognised group of Romanesque fonts decorated with fantastical creatures. The altarpiece, depicting Christ among harvesters, was painted by Simon Gate and installed in the 1940s. A gallery on the south transept, known as the patron's gallery, was reserved for the Bergkvara family, underlining the long connection between the church and the estate. The pulpit is said, according to a note from the 1690s, to have been a gift from the Bergkvara household, though it has been repainted and altered several times since.

The church has had at least three organs across its history, the earliest dating from around 1770, with later instruments installed in the late 1930s and again in the 1970s; visitors interested in organs may find the instrument's mechanical action and retained eighteenth-century façade of note.