The building is a striking example of what its architect termed a studio-type church, a single, unified worship space that Rolf Bergh developed from the 1950s onwards, reportedly in close collaboration with Olof Hartman in Sigtuna. The design draws on the idea of the central church, intended to foster closeness between the congregation, described by the architect as gathering in "a natural fellowship" around the altar and the room's liturgical furnishings.
This philosophy is reflected in the seating, which is arranged in a circular pattern around the focal point of worship. The interior and its fittings are predominantly in light-coloured wood, giving the space a calm, understated character. Bergh himself designed the altar, font and pulpit, unifying the architecture and furnishings under a single creative vision.
Architecturally, the church has a square plan beneath a pyramid-shaped roof covered in dark-painted ribbed sheet metal, with glazed windows at each of the four corners and a narrow band of windows running beneath the roofline. It is physically joined to an adjoining house used for parish activities, and a separate freestanding bell tower, designed by Rune Monö, stands nearby.
Behind the altar hangs a cross by sculptor Olle Aldrin (spelled Adrin in some sources), set against a woven tapestry by the artist Karin Walde, together forming the visual focus of the worship space. The church also has an organ of fourteen stops, built in 1981 by Walter Thür Orgelbyggen of Torshälla.