The church's construction shows a mix of influences: its broad, short plan suggests contacts to the south, while the notably narrow triumphal arch separating nave from chancel, and the steep roof pitch, are thought to reflect English influence. The finely cut sandstone and limestone walls rest on a chamfered double plinth. A sandstone south portal, decorated in Romanesque style, survives on the nave's south wall; a corresponding north portal was later blocked and replaced by a window. A sacristy was added to the chancel's north side, probably in the seventeenth century.
Inside, the roof was originally open to the rafters, a form later concealed, probably in the 1600s, by a flat wooden ceiling. That ceiling carries two painted scenes attributed to Anders Wetterlind, dated 1769, showing the Fall of Man and the Last Judgement. Medieval wall paintings, uncovered by conservator Olle Hellström in 1947, date from the close of the fifteenth century and depict scenes from the life of Christ; other accounts attribute paintings of similar subject and date to a painter named Amund, so the attribution is not settled. Two galleries survive, the western one dating from the seventeenth century and decorated with painted figures of prophets and evangelists on its front panel.