The church is believed to date from the 13th century, and its basic structure has changed surprisingly little since then. A timber sacristy was added on the north-east side in the 1600s, and a wooden porch was built on the south-west side in 1683, later moved to its present position at the west entrance in 1827. In 1807 the wall between nave and chancel was removed, and by 1820 the two spaces shared a single roof, creating the open hall-church interior seen today.
The flat ceiling was painted in 1767, along with the decorative drapery-style paintings on the walls from the same period. A 1932 restoration uncovered earlier features, including the chancel window and 16th-century wall paintings, while new pews were fitted using the old doors that had survived from the earlier furnishings.
Among the church's most notable treasures is a 13th-century font decorated with fabulous beasts, associated with the so-called Bestiarius group of medieval stonework; it is said to have come originally from Hallsjö church, now a ruin a few kilometres to the south. A 13th-century crucifix stands in a niche of the chancel window as the altar decoration, and a painted image of the Madonna, dated to the 14th century, hangs on the north wall. The altar rail has turned baluster posts, and an elaborately carved Renaissance pulpit with a sounding board, dated 1641, stands against the south wall.
South of the church is a free-standing bell tower with a bell-shaped cap, built in 1817 as an open timber frame and later clad in wooden panelling in 1917. It holds two bells: the larger was recast in 1703, while the smaller, cast in 1577, is said to be war booty taken from Russia — a claim repeated in older literature but not independently verified here.
The church's organ history includes an 1875 instrument by Carl Elfström of Ljungby, replaced in 1932 by a pneumatic organ from Lindegrens Orgelbyggeri of Gothenburg.