A medieval stone church, thought to have been built in the 1300s, originally stood on this spot. Historical drawings from the 1680s and 1740s recorded its appearance before it was demolished: a long nave with a porch to the south, walls of rough granite, and a brick-vaulted ceiling that gave persistent structural trouble, including a partial collapse of the choir vault in the seventeenth century. A tradition recorded in a seventeenth-century letter to the Uppsala cathedral chapter even suggested that a wooden chapel had preceded the stone church, though this cannot be confirmed.
The medieval church was pulled down to make way for the current neoclassical building, designed by the architect Fredrik Blom as early as 1824 but not built until 1836–37. The first service was held in September 1836, though the formal consecration by Archbishop Carl Fredrik af Wingård did not take place until 1842. The church is built of rendered granite, painted white with a grey plinth, and was originally a simple rectangular hall church with round-arched windows and a tower to the west. A low eastern extension housing the sacristy, not part of Blom's original design, was added during construction. The tower's present onion-domed cupola and lantern date from a remodelling in 1892.
Several furnishings and objects were carried over from the old medieval church, giving the plain interior an older layer of history. A triumphal crucifix on one of the chancel walls has a Christ figure dated to the early 1500s, though the cross itself is a later replacement. The enclosed box pews, a striking feature of the interior, were made in the 1740s for the old church and later transferred to the new one. A bronze incense burner, probably from the 1200s, and three brass or bronze chandeliers from the 1600s also survive from the earlier building, along with other older wooden sculptures. A carved apostle figure, thought to have come from a fourteenth-century shrine, is no longer in the church but is held at the Swedish History Museum.
The altarpiece, depicting the deposition of Christ from the cross, was painted in 1839 by P. Berggren, while the pulpit with its gilded ornamentation was made in 1836 to designs by the architect Johan Adolf Hawerman. The font is a twentieth-century addition, carved from wood in 1957. The church also has an organ with a façade dating back to an instrument of 1778, rebuilt within its current form in 1908 and later adjusted, reflecting the layered history typical of many Swedish parish churches.