The present church was built in 1846 to designs by Johan Adolf Hawerman, replacing an earlier building on the same spot. It is constructed in a restrained neoclassical style, with a tower topped by a lantern; unusually, the chancel is not marked as a separate volume on the exterior.
Restoration work carried out between 1948 and 1950 uncovered substantial foundations of the medieval church that had previously stood here, thought to date from the late 11th or early 12th century. The excavated walls, of roughly hewn sandstone with a chamfered plinth, are comparable to some of the oldest church remains in the district. The church is thought to have been built near two Iron Age burial mounds, possibly on a site with earlier pre-Christian religious significance, though this remains a matter of local tradition rather than firm record.
Among the finds from the old church was a sandstone font, missing its base, carved with a relief showing the biblical spies returning from Canaan carrying a bunch of grapes between them on a pole. This scene is said to be unique among Västergötland fonts and its style has been linked by some researchers to Danish influence, though such attributions are necessarily uncertain.
The medieval building saw various additions over the centuries, including a vaulted chancel roof from the 13th century, a sacristy of uncertain date, and a mysterious western extension whose original purpose is debated: it may have simply enlarged the nave, or possibly formed the base of a former tower. Several members of the noble Posse family, associated with the nearby estates of Såtenäs and Gammalstorp, were buried within the old church, and inscribed gravestones connected to them survive and are now displayed on the exterior walls of the present church.
The church was substantially rebuilt in 1767, before being demolished and replaced by the current building in 1846, completed within a single year and consecrated on 1 November of that year. The large bell in the tower is of a robust late medieval type, bearing an inscription believed to record the names of the noble Axel Posse and his wife Elsa Nilsdotter, along with invocations to Jesus and Mary.
The altar painting depicting Christ and the disciples at Emmaus is the work of the artist Marina Kylberg of Såtenäs.