The building is traditionally oriented east-west, with the chancel directly to the east, and with the parish premises joined to the church in the west. The church has a somewhat irregular plan consisting of a rectangular nave and a narrower chancel to the east. The exterior walls are clad with Glava slate. The roof is covered with copper sheeting.
Above the entrance is fixed a cross in wrought gilded copper sheeting, made by Birger Boman, who also designed the sculpted bronze door handles and a wrought-iron grille, Andens vind (The Wind of the Spirit), in the church's portico. The nave differs from the other parts of the building through its pronounced height. The twelve-metre-high interior walls are roughly plastered.
The end wall of the chancel, like the load-bearing concrete pillars, is clad with white tooth-chiselled Ekeberg marble. Through a slight break in the longitudinal axis running through the church and parish halls, the latter gain a more intimate connection with the nave.
The church's altar is made of Öland limestone. Above the altar on the chancel wall hangs a 3.5-metre-high wooden cross. A textile altarpiece adorns the altar. It was made by Barbro Nilsson using gobelin tapestry technique and depicts the parable of the Sower.