The medieval church here was a modest long-house structure with a straight-ended chancel and small, sparingly placed windows, typical of churches in the Billingen district. It had no tower, its bells instead hanging in a separate shingle-clad bell frame topped with a spire and cross. On 27 June 1833 a lightning strike set the church ablaze, destroying it almost completely. It was rebuilt on the surviving walls and reopened in 1835, this time with a three-sided chancel, a north sacristy, a west porch and a tower rising over the west end, its lantern topped with a spired cross.
The interior reflects the light, restrained neoclassical taste of the 1830s rebuilding. During restoration work between 1917 and 1922 the church gained a new porch to the west, along with a new altarpiece, font and pulpit—the last said to have been brought from Lerdala kyrka. Further changes in 1968 altered the colour scheme to its present appearance, added a new altar rail, created a cloakroom in the west end of the nave, and rebuilt the stair to the gallery; the nave received a new wooden floor and the chancel a limestone one.
The altarpiece, dated to 1922 and painted by Anna Schwab, is a copy of a work by the Dutch artist Martin Pepijn, whose original hangs in the Nationalmuseum in Stockholm; it depicts the presentation of the infant Jesus in the temple, with Simeon holding the child. The wooden font, made in 1922 by the local craftsman Verner Håkansson, stands near a 1975 painting by Karl-Olov Steen on the theme of Christ receiving the children. Both of the church's bells were recast after the 1833 fire—the larger in 1835 and the smaller in 1864.
A more recent renovation in 2006–2007 opened two new windows to bring additional light into the church, and a new porch with a small kitchen area and accessible toilet was added in 2007.