The medieval church on this modest rise was condemned at a bishop's visitation in 1760, described as both decrepit and too small for the congregation. Rebuilding began in 1774 to designs attributed to Carl Fredrik Adelcrantz, and only the north-west corner of the old wall was retained. Fitting out the new building took time, and it was not consecrated until 1779.
One local tradition holds that a builder absconded with construction funds, which is said to explain why the porch and sacristy were not added until much later, in 1921 (sources differ on whether this delay was due to that alleged event or simply to the cost of completing the works). Whatever the cause, the church gained its porch, sacristy and an enlarged churchyard in that restoration.
The church was painted in 1821 and repaired in 1869, when a new gallery, windows and pews were installed. Further restoration followed in 1963–1964, when the interior was repainted in light colours under Olle Hellström, and again in 1988, when the plasterwork was repaired and the exterior repainted.
The whitewashed exterior has a saddle roof, narrowing over the chancel and covered with red tile, and round-arched, lead-latticed windows with grey-painted frames. A free-standing wooden bell tower stands beside the church, and a sundial dated 1717 can be seen in the churchyard.
Inside, the font is of particular interest: carved from sandstone in the twelfth century in two pieces, it belongs to a small group of related Romanesque fonts named after an example in Molla church, most bearing faint animal figures on the bowl. The pulpit dates from 1717 and had its original painted decoration uncovered during the 1960s restoration. The altarpiece, painted on canvas within a broad gilded frame, was made in 1870 by the artist A. G. Ljungström and depicts the Crucifixion with the Virgin Mary and St John the Evangelist at the foot of the cross, surrounded by angels.