The church probably dates from the 1200s, though its oldest parts show Romanesque character, suggesting building work may have begun somewhat earlier. It seems to have become an annex to the nearby church of Örberga by the thirteenth century at the latest, a relationship that shaped its subsequent modest development.
Architecturally, the building follows a simple, traditional plan: a rectangular nave with a narrower apsidal chancel, a sacristy on the chancel's north side, a porch, and a gable tower to the west. The single-vessel interior is covered by a flat wooden ceiling, and the nave, chancel and sacristy are constructed of limestone.
Among the church's furnishings, the sandstone font stands out as one of the oldest surviving objects, possibly contemporary with the stone church itself or even older; its bowl is carved with a variety of fantastical animal figures. A medieval incense censer and a large medieval wooden chest also survive, offering tangible links to the building's earliest centuries.
Later additions reflect the ordinary rhythms of parish life over the centuries: an altarpiece painted in 1701 depicting the Last Supper flanked by the Crucifixion and Resurrection, a pulpit made in 1785 by a named local craftsman, and a communion chalice with a medieval foot decorated with heraldic shields in red enamel. Textiles and vessels from the 1600s and 1700s, including an embroidered altar cloth and a wine jug, further illustrate the church's continuous use.
The organ has an interesting layered history: a small mechanical positive organ with pedal was acquired in 1856 from a Flisby organ builder, later modified in the twentieth century and then restored in the 1970s to something closer to its earlier form. Specialists believe the instrument may originally have been a simple domestic-style positive organ, later expanded — a modest but characterful survival.