The church occupies the eastern wing of a small complex grouped around an open courtyard, with the rest of the buildings used for parish activities. It was designed by the architect Karl Erik Ydeskog in a contemporary style sometimes likened to the shape of a tent, using cast concrete with exposed aggregate combined with glass. The bell tower was added in 1973, the year of the church's consecration by Bishop Helge Brattgård, who is said to have called it the most beautiful church in the Skara diocese, though this remains a matter of local tradition rather than settled record.
The site itself may have been a gathering place long before the church was built. A grave mound survives near the bell tower, and in the courtyard stands a large stone with hollows worked into its upper surface, said by some to be a Bronze Age sacrificial or offering stone, though this identification rests on expert opinion rather than certainty.
Inside, the concrete ceiling carries sandblasted images designed by Ydeskog depicting scenes from the life of Christ: the Nativity, with Mary, the infant, angels and the Magi, on one side, and the deposition from the cross on the other, culminating in an empty cross symbolising the Resurrection. The altar, font and pulpit are also formed in concrete, continuing the material language of the building throughout. The chancel wall bears a ceramic artwork by a Spanish artist.
A serious fire in 1987 destroyed the sacristy and caused significant damage elsewhere in the building, including cracking to the concrete walls; repairs were completed later that same year. The church's organ, standing on the floor to the left of the main entrance, was built in 1986 by John Grönvall Orgelbyggeri and has a mechanical action with a speaking façade.