The idea of building a church in Stocksund was first discussed as early as 1918, but it took decades of local effort, including a sewing circle and a dedicated church-building association, before plans took firm shape. In 1957 the project gained momentum, and both Peter Celsing and Jan Wahlman were invited to submit designs. Wahlman's proposal, later revised, was approved in 1960. Notably, his father, architect Lars Israel Wahlman, had suggested as early as 1921 that a chapel in Stocksund should echo the parish's main church, Danderyd Church, on a smaller scale. Construction began in the autumn of 1961, and the finished building was consecrated on the first Sunday of Advent in 1962.
The church was designed to appear as though growing directly out of the rock on which it stands, its form shaped by the strongly undulating terrain of the surrounding villa district. It rests on a natural stone base, with copper-clad roofs and brick walls laid in a monk bond pattern. The architect described his aim as creating a light-filled interior marked by simplicity and honesty in the choice of materials and finishes. Originally built as separate structures around an open courtyard, the church and parish hall were joined together in a 1988 rebuilding, connected by a covered outdoor arcade.
The chancel is dominated by a large glass cross created by artist Dagmar Lodén, a distinctive modern focal point within the otherwise restrained interior. The oak font was made by furniture maker Jörgen Andersson, paired with a silver bowl by silversmith Bengt Liljedahl, who also crafted the communion vessels.
A notable older object hangs above the font: a medieval crucifix, its figure of Christ dated to around 1350, though the cross itself, decorated with symbols of the four evangelists, is thought to be of later date. This juxtaposition of medieval imagery within a resolutely modern building is one of the church's more memorable details.
The two church bells were cast in 1962 by the Bergholtz foundry in Sigtuna. The mechanical organ, built in 1967 by A. Magnussons Orgelbyggeri of Gothenburg, was constructed from Yugoslav oak to designs by architect Jan Wahlman himself, tying the instrument visually to the building it serves.