The church was designed by the architect Ragnar Molin and was consecrated in 1976 by Ragnar Askmark, then bishop of the Diocese of Linköping. At its dedication, the bishop reportedly described it as intended to be an open church for ordinary, everyday people, and this ethos has shaped its subsequent character, with close ties maintained to the surrounding school, shops and community groups.
The building is a modest example of 1970s Swedish church architecture, with brick facades and sloping, felt-covered roofs. A free-standing bell tower is attached to the main structure. Inside, the church comprises the worship space alongside parish rooms used for community activities, and a preschool and after-school club are run under the church's auspices.
Among the church's furnishings, the oak font with its brass basin is a simple but characteristic piece. The altar is dominated by a large gilded wall cross created by the artist Torulf Engström, forming the visual focus of the worship space.
The organ, built in 1976 by A. Magnussons Orgelbyggeri of Gothenburg, is a mechanical instrument typical of church organs installed in Sweden during this period, though it holds no particular claim to fame beyond its craftsmanship.
Råssnäskyrkan's history reflects a broader move in Swedish church planning of the era towards accessible, community-facing buildings rather than grander, more traditional structures — a shift from an earlier, less visible existence in a basement location to its present position at the centre of the district.