The church was built as a Romanesque stone structure, likely during the 1100s or 1200s, following the traditional plan with a southern entrance and a straight-ended chancel. Parts of the western section of the rectangular nave survive from this earliest phase, along with several furnishings from the medieval period.
The building's history over the following centuries is not well documented. A major rebuilding around 1830 gave the church much of its present appearance, including an extended nave with a new eastern apse, decorated later with paintings by Gunnar Erik Ström. The tower to the west, topped with a dome and lantern, was added in 1859 and houses two bells. A sacristy dates from a substantial 1931 restoration, when it was moved from its earlier position within the church's eastern end.
Outside the church stands a lychgate on a granite base, erected in 1955 to designs by architect Axel Forssén.
Among the church's most notable treasures is a seated Madonna sculpture from the later 1200s, thought to be carved from lime wood and considered a particularly fine example of medieval devotional art. A second, smaller medieval Madonna figure, carved in oak in the 1400s and once part of an altar cabinet, is now held in the collections of the Gothenburg City Museum rather than in the church itself. The church also retains an original medieval font and a somewhat later triumphal crucifix. The current altarpiece, carved by Kjell Sjögren in 1986, was inspired by the lost medieval altar cabinet.
The church's organ has a layered history: an 1897 instrument by Carl Axel Härngren was followed by a rebuild in 1936, and the present mechanical organ was built in 1982 by the Danish firm Marcussen & Søn, incorporating Härngren's original 1897 facade pipework.
The church underwent renovation and accessibility improvements in 2007–08 and was reconsecrated at Easter 2008 by Bishop Erik Aurelius.